Paintings

Parshuram 

Available as Wooden Plaque ( Limited Edition Prints) 

Own work in Digital Painting.

Every Stroke in this work is placed using Vector Paths, with Mouse.
Thank young-Artists
'Tutorials', at Deviantart and Elfwood.

Fine art Prints available.

Limited Edition Prints (Wooden Plaque)

SuSwagatam

Own work.

The Traditional Indian image we have witnessed for decades.

Fine art Prints available.

Prints available (Wooden Plaque)

KailashPati

Shiv with Nandi at Mount Kailash

Fine art Prints available.

Prints available (Wooden Plaque)

Avalokiteshwara Tara

Featured on Wayism.org

Thangka work for Res. Aacharyaji 

Avalokiteśvara (Sanskrit, "Lord who looks down", Tibetan: སྤྱན་རས་གཟིགས་, Wylie: spyan ras gzigs, THL: Chenrézik) is a bodhisattva who embodies the compassion of all Buddhas. This bodhisattva is variably depicted and described and is portrayed in different cultures as either female or male.^[1] In Chinese Buddhism, Avalokiteśvara has become the somewhat different female figure Guanyin. In Cambodia, he appears as Lokeśvara.

Avalokiteśvara is one of the more widely revered bodhisattvas in mainstream Mahayana Buddhism as well as unofficially in Theravada Buddhism.^[1] (Wikipedia)

The Original

Extinct Cheeta & Adivasi lady. Their natural home in the middle of Sal and Sadad Jungle. Even today the tribes live in the deep jungle, away from said civilized world. The ‘Caucasoid’ features of the Adivasi population may best be considered ‘pre-Caucasoid’— that is, part of a diverse North African gene pool that yielded separate origins in western Eurasian and South Asian populations over 50,000 years ago.

Fine art Prints available.

Prints available (Wooden Plaque)

Hayagreev

Hayagriva is considered an Avatar of Vishnu. Worshipped as the God of knowledge and wisdom, with a human body and a horse's head, brilliant white in color, with white garments and seated on a white lotus. Symbolically, the story represents the triumph of pure knowledge, guided by Almighty God, over the demonic forces of darkness.
Origins about the worship of Hayagriva have been researched, some of the early pieces of evidence dates back to 6,500 BCE when Vedic people worshiped the horse for its speed, strength & intelligence. Hayagriva is one of the prominent deity in Vaishnava tradition. Thy blessings are sought when beginning the study of both sacred and secular subjects.

Fine art Prints- Liimited edition

Prints available (Wooden Plaque)

Lopamudra

Lopamudra (Sanskrit: लोपामुद्रा) also known as Kaushitaki and Varaprada was a female philosopher according to ancient Vedic Indian literature. She was the wife of the sage Agastya who is believed to have lived in the Rigveda period (1950 BC-1100 BC) as many hymns have been attributed as her contribution to this Veda. She was not only the consort of Agastya but a Rishiki in her own right, as she was the well-known rishik who visualized the "Panchadasi" mantra of the Sakta tradition of Hinduism.

There are three versions of Lopamudra' legend; one is in the Rigveda Hymns; the second is in the epic Mahabharata (Vanaparva: Tirtha-yatra Parva), where there is an elaborate version with a mention that Agastya Rishi did penance at Gangadwara (Haridwar), with the help of his wife, Lopamudra (the princess of Vidarbha). According to legend, Lopamudra was created by sage Agastya with the most graceful parts of animals such as eyes of the deer etc.;^[5] and the third version is Giridhara Ramayana.

The name Lopamudra signifies the loss (Lopa) that the animals and plants suffered by giving their distinctive beauties (mudra's) when Agastya created her. After creating her, Agastya gave Lopamudra to the King of Vidarbha who was doing penance seeking for a progeny. Agastya had created Lopamudra with the intention of marrying her. The king brought up Lopamudra as his daughter. When she grew up, Agastya demanded her hand in marriage. Lopamudra agreed to marry him and left the King's palace for his hermitage. However, after some time, she grew tired of Agastya's austerity. She wrote the hymn in the Rigveda, asking for his attention and love. The hymn made Agastya realize his duties towards his wife. दम्पत्ती को  दृद्यस्यु  (Dridhasyu) नामक पुत्र हुआ जो आगे चलकर कवी हुआ। 

Together with her husband, she is also credited with spreading the fame of the ललिता सहस्रनाम (thousand names of the Divine Mother). 

It is also believed that अगस्त् य Agastya learned the hymns of Lalitha Sahasranama from Hayagriva - Avatar of Lord Vishnu.

The Illustration:

This Illustration is a replica of the original painting by Ravi Verma the famous Indian Painter. 

The difference between digital manipulation and replica here. Digital manipulation and digital art are the Photoshop pixel images achieved through Adobe's Photoshop. While a replica is drawn from Scratch i.e. through the use of a Pencil, Brush, and Pen available in the device called Pen Tablet and the colors available in the Programme. This is exactly like drawing on a Digital Canvas that gives freedom from the clutters and the useless ornamental words that explain the hidden beauties of an Artwork. In fact, this is a hand-work like any other work which requires time, passion & precise work experience.
Bharat

Sudarshan-dhari-Krshn

यदा यदा हि धर्मस्य ग्लानिर्भवति भारत ।
अभ्युत्थानमधर्मस्य तदात्मानं सृजाम्यहम् ॥
परित्राणाय साधूनां विनाशाय च दुष्कृताम् ।
धर्मसंस्थापनार्थाय सम्भवामि युगे युगे ॥

इस श्लोक में श्री कृष्ण कहते हैं:

“जब-जब पृथ्वी पर धर्म की हानि और अधर्म की वृद्धी होती है, 

तब-तब मैं इस पृथ्वी पर जन्म लेता हूँ

सज्जनों और साधुओं की रक्षा के लिए 

दुर्जनों और पापियों के विनाश के लिए 

और धर्म की स्थापना हेतु

मैं हर युग में जन्म लेता हूँ”

Fine art Prints- Liimited edition

Prints available (Wooden Plaque)